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"Yet the Princess D—— always calls her train a 'tail,'" says Violet, turning on her piano-stool to make this remark, which is balm to Mona's soul: after which she once more concentrates her thoughts on the instrument before her, and plays some odd old-fashioned air that suits well the dance of which they have been speaking.,

"And you really mustn't think us such very big people," says Geoffrey, in a deprecating tone, "because we are any thing but that, and, in fact,"—with a sharp contraction of his brow that betokens inward grief,—"there is rather a cloud over us just now.",

"Dear me! what a terribly unpleasant young man!" thinks Mona, at her wits' end to know what to say next. Tapping her fingers in a perplexed fashion on the table nearest her, she wonders when he will cease his exhaustive survey of the walls and give her an opportunity of leaving the room.,

Wherever Mā-mĭn´ went her mother or some woman of the family went with her, so Red Robe could never speak to her, but he was often near by. One day, when she was gathering wood for the lodge, and her companion was out of sight behind some willow bushes some distance away, Red Robe had a chance to tell Mā-mĭn´ what was in his heart. He walked up to her and took her hands in his, and she did not try to draw them away. He said to her, "I love you; I cannot remember a time when I saw you that my heart did not beat faster. I am poor, very poor, and it is useless to ask your father to let me marry you, for he will not consent; but there is another way, and if you love me, you will do what I ask. Let us go from here—far away. We will find some tribe that will be kind to us, and even if we fail in that we can live in some way. Now, if you love me, and I hope you do, you will come."

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"Ah, now, that is more reasonable; now we are coming to it," says Doatie, briskly. "We 'return to our muttons.' As Lady Rodney, in a very rude manner, tried to explain to you, you will either say you are not at home, or that you have a headache. The latter is not so good; it carries more offence with it, but it comes in pretty well sometimes.",

"We must see," says Mona, thoughtfully.,

There is, for example, her unavoidable touch of brogue, her little gesture of intense excitement, and irrepressible exclamation when anything is said that affects or interests her, and her laugh, which, if too loud for ordinary drawing-room use, is yet so sweet and catching that involuntarily it brings an answering laugh to the lips of those who hear it.,

After a moment she turns deadly pale, and says, in a faint tone, "I know I am hurting you: I feel it." And in truth I believe the tender heart does feel it, much more than he does. There is an expression that amounts to agony in her beautiful eyes.